Šejla Kamerić

Monographs

  • Šejla Kamerić, Galerie Tanja Wagner, Meral Agish (Ed.), text by Edi Murka, Berlin 2011
  • Two Words / Deux Mots, La Baconnière, Arts, Geneva 2009
  • Šejla Kamerić, Galerija Moria, Stari Grad 2008
  • Šejla Kamerić WHAT DO I KNOW, OK Center for Contemporary Art, Linz 2007
  • Šejla Kamerić – Bratislava, Gandy Gallery, text by Michal Kolecek, Bratislava 2005

Artist Books

  • Is it Rain or is it a Hurrican, Ústí nad Labem 2010
  • Others and Dreams, Portikus, Frankfurt am Main 2004

Catalogues

  • PUBLIC DIARY, Yebisu International Festival for Art & Alternative Visions, Japan 2013
  • LALALA HUMAN STEPS, Istanbul Modern, Istanbul 2012
  • Art Brusseles, Brussel 2012
  • ROUNDTABLE, Gwangju Biennal 2012
  • ACT – Art Collection Telekom, 2012
  • RAY Filmmagazin, Filmfestival Linz , 2012
  • Quatro venti, 2012
  • CPH:DOX, International documentary film festival, Coppenhagen, 2012
  • Dreams of Power, Zamek Culture Centre, Poznan 2011
  • Šejla Kamerić / Tatiana Lecomte, Camera Austria, Graz 2011
  • Clothing as a Symbol of Identity, Gradska Galerija, Bihac 2011
  • Festival D’Automne a Paris, 2011
  • Time machine “No Network”, 2011
  • CODE COULEUR, Toute L’actualite du Centre Pompidou, 2011
  • Squatting. erinnern, vergessen, besetzen, Temporäre Kunsthalle Berlin, Berlin 2010
  • …On the eastern front, Ludwig Múzeum, Budapest 2010
  • Die Tür geht nach innen auf, Galerie Tanja Wagner, text by Timotheus Vermeulen, Berlin 2010
  • Glück happens…, Kunstpalais, Erlangen 2010
  • GENDER CHECK, MUMOK, Vienna 2009
  • Transitland, Video art from central and eastern Europe, Budapest 2009
  • ART AND TERRORISM, Bosnian Herzegovinian artwork Post 9/11, Sarajevo 2009
  • Europe expanded, 2009
  • PHAIDON, Younger Then Jesus – Artist Directory, 2009
  • XVI. Rohkunstbau ATLANTIS I, Schloß Marquard, Potsdam 2009
  • Politik der gefühle, 2009
  • Invisible Borders, Lille, 2009
  • Remont Art Files , Beograd, 2009
  • Tiefenrausch, Linz, 2009
  • <rotor>, Association for Contemporary Art, Graz, 2009
  • CUTTING REALITIES, Gender Strategies in Art, Austrian Cultural Forum New York 2008
  • Close to home, British Council, London 2008
  • Kunsttermine, 2008
  • Video formes, 2008
  • From here/From there, 2008
  • Crossing Europe, Filmfestival Linz, 2008
  • Artist Citizen, 49Th October Salon, 2008
  • Folkestone Triennial, Tales of time and space, 2008
  • Managing destiny?, European cultural foundation, 2008
  • Zehn Jahre, Galerie im Taxispalais, Innsbruck, 2008
  • Spaport, International Annual Exhibition of Contemporary Art, Banja Luka, 2008
  • Confini – Boundaries, MAN_Museo d’Arte Provincia di Nuoro, Milano 2007
  • THE BALKANS TRILOGY, Edited by Rene Block, Marius Babias, 2007
  • The new face of Europe in its museums, 2007
  • Mediterraneo(s), 2007
  • Crossing Europe, Filmfestival Linz, 2007
  • Entre Fronteiras, Between Borders, Museo de Arte de Vigo, 2007
  • Inbetweeness, 2007
  • Nexus, Num. 48, Tilberg, 2007
  • KONTAKT, Art Collection of Erste Bank-Group, Museum of Contemporary Art, Belgrade 2007
  • PORTIKUS ,Book of a sleeping village, text by Charles Merewether, 2004-2007
  • Kontakt… aus der Sammlung der Erste Bank-Gruppe, MUMOK, Vienna 2006
  • Recycling in the art works of Sarajevo’s Artists, 2006
  • There’s gonna be some trouble, 2006
  • La cenere delle imagini, 2006
  • Exhibition catalogue of Billboart Gallery Europe, 2006
  • Art That Works / Catch me!, 46th October Art Salon, Belgrade 2005
  • Andre / Others, Sorlandets Munstmuseum, Kristiansand 2005
  • History started playing with my life, 2005
  • Leaps of Faith, Cyprus, 2005
  • Another Expo – Beyond the Nation-State, Kitakyushu Municipal Museum of Art / White Box NY, Kitakyushu 2005
  • International film festival Oberhausen, 2005
  • The heart of the matter, European Cultural Foundation, 2005
  • Tirana Biennale 3, Sweet Taboos, Tirana, 2005
  • STAR SHIP, Nr.7 (Issn1619-2052) text by Simon Moeller 2005
  • Within alongside and between spaces, Kunstverein Wolfsburg, Doris Berger (Ed.), Wolfsburg 2004
  • Quartett, Cetinje, 2004
  • Passage Europe, Musees Saint-Etienne, 2004
  • Fiac 3rd Edition, Paris Expo, 2004
  • Cosmopolis, Thessaloniki, 2004
  • Borderlining, Kunstverein Wolfsburg, Wolfsburg 2003
  • Ekspozita Nderkombetare, 2003
  • Bound/Less Borders, 2003
  • Praguebiennale 1, Peripheries become the center, Prague , 2003
  • Springerin, Nebojša Jovanović, 2002
  • Sanmarinosarajevo, an endless exchange, 2002
  • No Border, 2002
  • Searching for identity, 2002
  • Ars Aevi, Museum of Contemporary Art Sarajevo, 2002
  • Ars Aevi, Museum of Contemporary Art Sarajevo, 2000
  • Manifesta 3, Borderline Syndrome, 2000
  • Arte in Guerra, 1999
  • Ars Aevi, Museum of Contemporary Art Sarajevo, 1999
  • Meeting Point, Soros Center for Contemporary Arts, Sarajevo 1997
  • An Occasional Worker, Edited by Richard Fajnor and Mira Keratova
  • WOMANIFESTO, International Art Exchange, Thailand
  • RETROSPECTRUM, Umjetnicka galerija BH

Articles

  • Claudia Wahjudi, Johannes Wendland: Was bleibt, Morgengrauen: Šejla Kamerić, in: Zitty, 10/2013
  •  Alice Hawkins: Profil, May 14, 2012
  • Zdenka Kolčekova: Fotograf, Magazine on Photography and visual culture #20/2012
  • Valerie da Costa: Mouvement, No.63, 2012
  • Martin HerbertŠejla Kamerić & Anri Sala: 1395 Days without Red, in: Camera Austria, 2011
  • Jurrian Benschop: Šejla Kamerić, in: ARTFORUM, October 2011
  • Douglas BrennanReview: 1395 Days without Red, in: Ceasefire Magazine, October 2011
  • Jose Villareel1395 Days without Red at the Museu d’ Art Contemporani de Barcelona,  in: Artdaily, October 21, 2011
  • Naima Khan: 1395 Days without Red, in: Spoonfed, August 26, 2011
  • Timotheus VermeulenNow & Beyond, in: frieze, September 2011
  • Richard Dorment1395 Days without Red, Manchester International Festival, review, in: The Telegraph, July 12, 2011
  • Adrian SearleManchester international festival: A return to Sarajevo, in: The guardian, July 4, 2011
  • Claudia Wahjudi: Krause Knöpfe in: Der Tagesspiegel, February 26, 2011
  • Ingeborg Ruthe: Schwarze, weiße Spinnennetze in: Berliner Zeitung, No 26, 2011
  • Michaela Reichert: Die Manipulation des Blickwinkels, in: Kronenzeitung, January 21, 2011
  • Walter SeidlŠejla Kamerić in: Camera Austria, 112/2010
  • Timotheus VermeulenThe door opens inwards, in: Notes on metamodernism, November 10, 2010
  • Simone ReberTraumtänze, in: Tagesspiegel, October 9, 2010
  • Anne Katrin FeßlerHinter blinden Windschutzscheiben, in: Der Standard, January 2, 2009
  • Katrin Zita: Succeed, The Dalis from the East, No. 4/5, 2009
  • SFTraum und Trauma, in: Vanity Fair, No 2, 2008
  • Michal Koleček: Loser Friendly, Vol.12, 2008
  • Gesine Borcherdt: Monopol, p.23 Nr.7/2007
  • Michal Koleček & Zdena Kolečkova: Fotograf, Magazine on Photography and visual culture #10/2007
  • Anselm WagnerŠejla Kamerić Sarajevo. Mon amour, in: Spike, 03/2005
  • Sabina Sabolović: Šejla Kamerić , Bosnian Girl in: Elle, 06/2004
  • Shinya WatanabeAnother Expo – Beyond the Nation-State, in: 10+1, Issue 36, October 2004
  • The Financial Times Magazine, Special Issue No. 48, March 27, 2004
  • Kunstforum International, Bd. 169, March/April 2004
  • Der Standard, December 11, 2003
  • Zarez, September 11, 2003, g.V, br. 111-112
  • Mladina, 28 / 2003
  • DANI, BH news magazine, July 11, 2003, br. 317
  • Start, BH magazine, July 15, 2003, br. 120
  • Urban BUG, August 2003, Issue 16
  • Armelle HéliotUn chantier très ouvert. Un jeu de correpondances, in: Libération
  • Manuela GandiniNozze etniche, passaporto per l’Ue, in: Il Sole 24 Ore, June 30, 2002
  • Uban Bug, Issue 7, 2002
  • Nebojša Jovanović: Šejla Kamerić, or Filling the Unfillable, in: Umelec, 02/2001
  • Review by Zivot Umjetnosti in: Camera Austria, 73/2001
  • Nebojša Jovanović: Umelec, Contemporary Art and Culture, No.4, 2001
  • Nebojša JovanovićŠejla Kamerić, ili ispunjavanje neispunjivog
  • Lejla HodžićJust Pass, in: annual, 2000
  • Josephine Schmidh: A Roving Show Fixates on Europe’s Border Obsession, in: The New York Times, July 27, 2000
  • Susan Snodgrass: Manifesta 3: Diagnosing Europe, in: Art in America, No.11, November 2000
  • Review by Heather Felty in: Flash Art, Vol. XXXIII, No. 214, October 2000
  • Herwig Holler: Perspektivische Erweiterung, in: Kleine Zeitung, September 6, 2000
  • Alain DreyfusManifesta, passeport pour Ljubljana in: Libération, September 11, 2000
  • NEW MOMENT, Magazine for art & advertising, No.32