Writings
- White Flag at Half-mast — Svetlana Slapšak
- Cease and Begin Anew — Gal Kirn
- From the catalog of the exhibition ‘In the Gorges of the Balkans’ — by Dunja Blažević
- Burn by staying cool — by Natalija Paunić
- Representing the Self, Improperly — by Milica Trakilović
- What do we know? — by Edi Muka
- Making Time — Bettina Mathes
- Glück — Jurriaan Benschop
- Šejla Kamerić – Sarajevo, mon amour — A portrait by Anselm Wagner
- Thinking about the Exhibition Text – Mother Is a Bitch — by Natalija Paunić
- The voice of shuttle revisited — By Edi Muka
- Hooked — by Irfan Hošić
- Identification as Exorcism — by Róna Kopeczky
- Embargo till 11 — by Reinhard Braun
- It’s About Illumination, Stupid — The Politics of Art in Bosnia and Herzegovina — by Damir Arsenijević
- Unfolding — by Edi Muka
- Body of Evidence — by Joško Tomasović
- Remakes of Memories — by Anselm Wagner
- Šejla Kamerić: continuing a metamodernist sensibility in Berlin? — by Daryl Champiom
- Nine impressions on 1395 days… — by Ozren Kebo
- Šejla Kamerić, or, Filling the Unfillable — by Nebojša Jovanović
- Sorrow — by Joško Tomasović
- Unfinished Business: ‘Dream House’ and ‘Bosnian Girl’ — by Charles Merewether
- Šejla Kamerić — by Walter Seidl
- Parallel life — Dejan Andjeljkovich
- Parallel Life; Work for Everybody and for Nobody — Stevan Vuković